Back to The Shadows.

pump2018

The cat dashed past Gerard’s legs and up the stairs in a black, scrabbling blur. Moments earlier the backdoor had crashed open, squeaking and clattering noisily in the frame.

He ran to the backroom and wrenched the door closed against the resistant wind and whipping rain. Gerard locked the door, leaving the key slightly turned. He took a final glance through the frosted pane into the garden, weakly lit by a neighbour’s security light, and returned to the living room.

The family watched as he knelt on the sofa under the front window and peered out into the street. They sat across the room, on the larger sofa, huddled together in the far corner.

‘I take it that’s the last of you?’ Gerard said without turning from his watch.

‘I told you, we’re all here’ the father replied.

Gerard turned his head and grimaced.

‘You didn’t mention the cat. I don’t remember a cat. I don’t remember any of this. Thought I would. Any other potential visitors I should know about?’

Of course I didn’t mention the cat! The father wanted to scream at the intruder. You break into my house, threaten my family, and you think I give a damn about the cat? But instead he just nodded and simply said, ‘No. Why does it matter?’

Gerard turned to the window. The family watched the leathery curls on the back of his neck wrinkle as he spoke.

‘Nothing matters now. Everywhere is locked. No getting in, no getting out. Now it begins.’

Despite her husband’s hurried appeal for calm when the intruder was out of the room, the mother struggled to hide the frustration in her voice.

What begins? What do you want?’ she snapped, clinging to her son tightly.

‘I don’t want anything. I’m here to save you from what’s out there.’ Gerard peered into the gloom between the streetlights.

‘There’s nothing out there’ said the mother.

Gerard turned, smiled, and sat facing them. As he crossed his legs the mother noticed how he repeatedly toyed with the laces of his gnarled boots. A nervous tick? Obsessive behaviour? She’d seen it before somewhere she couldn’t place.

‘Not yet. We’re in for a long night. You might want to get some bedding down for the little one. Looks like he might need it.’

The son, despite the adrenalin and confusion, was nodding into his mother’s armpit, the whites of his eyes rolling up under flittering eyelids.

‘I’ll go’ said the father.

‘We’ll both go’ insisted Gerard, pulling himself up to his intimidating six and five, wreathed in his long, worn leather jacket.

The father ran another mental bout against the monster before him. There was no way he could beat him in a fair fight, and he guessed there’d be nothing fair about it. When the intruder had first appeared in the house just twenty minutes previously, having casually just walked in from the street through the unlocked door, he had quickly subdued the father’s attempts at retaliation with little more than a sturdily outstretched arm and a firm grip.

So far the intruder had revealed no weapons, but that coat could hide a small armoury. There was nothing in the house the father could use anyway, save a sturdy walking stick in the storm-porch, but that was locked away like everything else.

He got up and walked to the corridor and was signalled by the intruder to go first up the stairs. As he reached the top he realised there was one weapon that was available to all, given the right circumstances. He stopped and waited for the footsteps behind to catch up.

‘What are you waiting for?’ said the intruder, one foot half on the landing, his knees bent and arms spread to the walls.

The father turned, planted his hands firmly on either side of the stair walls, lifted his leg and kicked the intruder squarely in the chest, putting his whole weight behind his straightening knee.

Gerard instinctively reached forward to grab the assailing leg, but was already toppling backwards as he did so. His hands flayed pointlessly into the void between them. He hit the steps hard, with the weight of his body on top of him, and then tumbled through all the angles to the foot of the stairs.

The mother came running out of the living room, in an instant seeing the contorted intruder and closing the door behind her.

‘Stay in there darling, just stay in there a moment’ she called back, holding the handle to stop her son from following. The handle wobbled and then fell still.

‘That’s it,’ she said, trying to hide the shake in her voice, ‘just have a little lie down, we’ll be there in a minute.’

The father descended the stairs quickly, lunged and landed purposefully with his knee on the intruder’s throat, figuring he could at least hold him down him while his wife and child ran to safety. All the heap below him could manage, however, was to turn his head slightly to meet his eye.

‘I came to save you’ Gerard moaned, pushing back against the waves of pain and cold numbness that phased across his being.

‘Don’t move!’ the mother yelled. ‘I’m calling the police.’

She thrust her hand into the intruder’s pockets and pulled out the keys he had stashed away earlier after bursting into their home and overpowering her husband. She felt a guilty pride now as all the intruder could do to try and stop her was strain against unresponsive muscles and limp limbs, thanks to her husband’s besting.

She unlocked the storm porch and retrieved the mobile phones the intruder had sealed away.

‘Close the door’ he whispered through strained breath, but the mother didn’t listen, busy as she was frantically checking each of the devices.

‘No signal?’ said the father. She nodded.

‘Use the landline. I’ll be okay.’

She ran to the kitchen.

‘Don’t go out. Don’t let anyone in. Not till light. Please!’ Gerard’s eyes bulged with the effort of speaking.

The father twisted his knee. He could barely force out words through the anger.

‘You come into my house, you say we will die if we don’t do what you ask, you threaten my family and now you beg me not to call the police?’

‘They can’t help you!’ Gerard pleaded. ‘They can’t help anyone! Not tonight. Only me.’

‘Why? Because there’s something ‘out there’? There’s something in here, and you’re done, man. You’re sick, you’re a sick…’

The father was interrupted by the sound of his wife’s cursing from down the hall. He called out to her and she returned, clutching the telephone handset.

‘There’s nothing’ she said, handing it over.

The father pressed fruitlessly at buttons, listening to the silence.

‘You cut the lines? Why would you do that?’

The intruder seemed to be coming to some kind of peace. His breathing slowed, his features calmed, his eyes looked past the father and to the ceiling.

‘They’re all down. Everything’s down. I came back to stop it from happening to you again. I failed.’

‘Damn right you failed. Sarah. Go next door, now. Get the police, and an ambulance.’

There was a loud scratch from behind the living room door.

‘Darling?’ said the mother tentatively.

‘I told you. They’re here. But how can… How did I make it? If…’ the intruder babbled weakly. There was another scratch in the wood of the door, deep and jarring. And another. It grew louder, furious.

‘Mummy!’ the son shouted from beyond.

‘Get him out!’ she yelled at her husband.

The father jumped to his feet and quickly but cautiously eased the door open. His heart pounded violently as the cat flew past him and down the corridor to the kitchen. The son followed soon after, sniffling from the fright of the dark living room and the sound of animal claws. He stood blinking in the doorway.

‘Just the cat!’ the father said furiously to the intruder, but the intruder said nothing. His eyes twitched urgently, but the words wouldn’t come to his lips, his breath failing in his throat. All he could do was look to the top of the stairs.

‘What?’ said the father. ‘What’s up there?’ He peered up, trying to follow the intruder’s line of sight but could see nothing on the dark landing.

‘It was me!’ the intruder croaked suddenly and violently. ‘I let it in. But why send me back here if… Oh dear.’ the intruder choked on the end of his sentence.

There was another scratch, and a deep, rattling growl, this time it came from upstairs.

‘But, Claw just went to the kitchen?’ said the mother.

‘Probably a stray’ the father said. ‘I’ll go and have a look.’

‘I’m coming too’ insisted the mother. ‘What if he wasn’t alone?’

The father looked at the dazed son in the doorway.

‘We can’t leave him. Not here, not with,’ he nodded at the intruder who had closed his eyes, and was very, very still. ‘Oh god. I think he’s…’ the father stopped short of saying the word in front of his son, even the sound of it in is head made him shudder.

The mother turned the boy by the shoulders and stepped him into the porch.

‘We’re going out soon, so you put your shoes on, Mummy and Daddy are just going to get some things. I’m going to close the door. Only for a few seconds, I promise.’

The son sat down on the cold tiles. The father winked and rubbed his hair before locking the door behind him and heading upstairs with his wife.

That was the night the shadows came in from the darkness and waited for those who went looking. That was the night that changed everything.

Gerard fiddled with the laces of his shoes while he waited for his parents to return.

THE END

A note from the Author:

Thanks for reading! I really appreciate it, and it would be great if you could help me reach more people by sharing this on social media by using the buttons below, or copying and pasting the web address far and wide.

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Thanks.

Garry.

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Fantastic Beast – And Where To Find Them Review

Using my Laughs, tears, cheese and cheers rating system, here is my spoiler-free review for ‘Fantastic Beast – And Where To Find Them’, with links below if you want to find out more.

Quick Summary

I am generally ambivalent about Harry Potter. However, as my wife is a fan of the books I have seen all the films and even been on the studio tour (which was actually quite fun). I haven’t read the books, and can’t say I intend to.

I didn’t mind the films of the book series. They were watchable at least, and got better as they went along. Still, I wouldn’t watch them again (willingly, though my wife might make me).

When ‘Fantastic Beasts & Where to Find Them’ came along, I can’t say I was tripping over myself to go and see it, but it was, alas, inevitable.

I’m happy to report I was pleasantly surprised. You can tell this instalment in the ‘Potter’ universe was written to be a film, rather than an adaptation, and for the casual viewer like me, it benefits greatly. I found it more accessible, engaging and entertaining that the book-based series, and it was a fun way to spend a couple of hours.

Laughs: 2/5

As the title suggests, the ‘Fantastic Beasts’ themselves are packed with personality that is well rendered and realised on the screen. The cheeky little devils get up to all sorts of mischief and mayhem, sometimes with giggle-worthy results. They are definitely the stars of the show here when it comes to chuckles, though the supporting cast play their part.

Tears: 2/5

I must admit, for a family film, it didn’t pull it’s punches when it came to emotional impact. Behind the cutesy beast premise, there is a lethal darkness. I can imagine a lot of adults had to have conversations about life and death after going to watch this film. As I remember, the Harry Potter films also weren’t afraid to massacre a few darlings here and there. In a strange way, it is quite refreshing that this isn’t dumbed down, and gives the film an edge it otherwise wouldn’t have had.

Cheese: 0/-5

I’m making allowances here on the presumption that if you’re watching this film you are aware that it is set in a world where wizards live in parallel with normal humans and go to schools with such names as ‘Hogwarts’, and call none-magic people ‘Muggles’, right? If not, and that’s a bit much for you, you may readjust this score accordingly. I still found the romance sub-plots and dialogue well pitched and underplayed, even within these expansive parameters.

Cheers: 3/5

This is a fun film, with a self-contained premise that quickly draws you in and gives you a lot to ‘get behind’ in terms of the ‘goodies’ and ‘baddies’ and the general fun of chasing around and capturing magical monsters (someone should make some kind of game where you can do that on your phone…). The action sequences benefit from the panoply of magical animal quirks that need to be overcome, and alongside it, there is a deeper, darker threat that needs extinguishing. This all leads to an agreeable way to spend a couple of hours of your viewing life.

Fears: 2/5

I’ve mentioned the darkness in this film already, and for kids, I expect it may border on ‘behind the sofa’ scary in places, so I’m giving it a couple of points as the fear-factor is a crucial part of what makes this not just a silly film about invisible sloths and pick-pocket platypus things.

Bonus Category: + 1 Going it alone

It would be easy to accuse J.K Rowling of ‘cashing in’ on the Potter franchise with this film. It has a loose link to a slim, charity ‘booklet’ she once wrote (with the same name), that was meant to be a handbook written by the main character of this film. But I’m told that the film itself is totally original from this, and not a stretched-out adaptation. Also, I’m told, there is enough of the Potter back-story in this to make this cannon with the wider universe.

All in all, I think what Rowling has shown here is that she can write films, too, and not just books that get made into them. This could, in theory, lead to a long and prosperous franchise.

Total: 10

(Check the Leader Board to see how it compares…)

 

Links:

Wikipedia: https://en.wikipedia.org/wiki/Fantastic_Beasts_and_Where_to_Find_Them_(film)

IMDB: http://www.imdb.com/title/tt3183660/

Agree / Disagree with my assessment? Leave a comment to let me know or submit your own scores for this or any other film listed in the leader board below to be aggregated into the ‘readers choice’ table on the main rating page.

And if you enjoy my reviews, please like/share this page link, and consider taking a look at my original science fiction books advertised in the side bar! Thanks for reading.

Arrival (2016) Review

Using my Laughs, tears, cheese and cheers rating system, here is my spoiler-free review for sci-fi linguistics-based thriller ‘Arrival’, with links below if you want to find out more.

Quick Summary

I’d heard good things about ‘Arrival’ but not really taken much notice at the time and marked it as a ‘one to watch when it’s available to rent’ type film (which to be fair, is the majority of my movie viewing). As I ordered it on Amazon, the words ‘linguistic expert’ flashed by on the description, and triggered a vague memory. Then, within about 20 seconds of the start of the film, it hit me… “I’ve read this!”.

Based on the excellent sci-fi short “The Story of Your Life” by Ted Chiang that I read at some point in the last six months with no knowledge of this film’s provenance, the spirit of the story, and an almost unchanged plot, is captured well in this slow-paced but big-themed exploration of time, communication, fate… and aliens, of course.

Laughs: 0/5

I’m not going to even try and pretend there is any laughs in here. It is a sombre, serious and reflective movie, thankfully not ruined by any shoehorned smartarses or sidekicks.

Tears: 3/5

I’m scoring this high on tears, though my face was dry. I think that’s because I knew the plot before watching so had already experienced that first jolt of realisation that comes as the pieces are put together. That said, I did gain more insight into the original story from watching this, which often happens to me with good adaptations. Even as someone who knew the general idea, I still found it moving, especially after a little post-viewing reflectiveness.

Cheese: 0/-5

I think cheese, like laughs, would have killed this film dead, so thankfully, this is a fromage-free zone.

Cheers: 3/5

I’m scoring this a decent ‘cheers’ rating, not for action or easy plot arcs, but because it does a really decent job of weaving and resolving a consistent thread from the first scene to the last, without any wishy-washy ‘Interstellar’ style devices coming out of nowhere to try and round it all off and act all clever like because they ‘did some special fx’.

This is down to disciplined adherence to the strong source material that already did this well. If you watch this and don’t know what I mean, then think again about the ending in context of the whole film. You’ll get there eventually. Message me if you’re stuck.

Fears: 2/5

There is a certain creepiness about the alien ‘heptapods’ and the misty spaceship in which they reside… I don’t want to say more to avoid spoiling anything, but the almost hypnotic slowness of the encounters adds to the general unease. I think it’s okay to say though (in case you are worried) that this isn’t a horror. Don’t expect ‘Alien’ – but do expect aliens, and linguistics.

Bonus Category: +3 Say what?

I’m not sure if this is a credit for the original short-story writer, or the producers who decided to make it into a film, but you tell me the last time you watched a film where the main lead was a female linguistics expert who is tasked with deciphering a circular alien language?

It is such an unusual and unique plot (that actually works), you will find yourself wishing you had the skills and reason to try and unlock the mysteries of extra-terrestrial cryptograms. Not many films can say that, if any.

Total: 11

(Check the Leader Board to see how it compares…)

Links:

Wikipedia: https://en.wikipedia.org/wiki/Arrival_(film)

IMDB: http://www.imdb.com/title/tt2543164/

Agree / Disagree with my assessment? Leave a comment to let me know or submit your own scores for this or any other film listed in the leader board below to be aggregated into the ‘readers choice’ table on the main rating page.

And if you enjoy my reviews, please like/share this page link, and consider taking a look at my original science fiction books advertised in the side bar! Thanks for reading.

Doctor Strange Review

Using my Laughs, tears, cheese and cheers rating system, here is my spoiler-free review for Marvel’s latest offering ‘Doctor Strange’, with links below if you want to find out more.

Quick Summary

Marvel have a knack of picking characters from their extensive back catalogue who will bring something different to the genre around the core universe-establishing ‘Avengers’. Ant Man is small (mostly), Guardians of the Galaxy are Sci-Fi, and now, Doctor Strange is, well, strange.

Actually, he’s not that strange at all, but his particular set of powers and the world he inhabits are, with inter-dimensional, magical, world-bending action. It’s a smart move. This is why we probably won’t see a ‘Black Widow’, ‘Hulk’ or ‘Hawkeye’ movie, because Marvel seem focussed on characters that provide something new to work with in the very construction of the world the movie is set in.

I enjoyed this after a little settling in, and look forward to a time when Doctor Strange (Benedict Cumberbatch) is free of his origins story to grow into the role further.

Laughs: 2/5

If you want ‘dark’ Marvel, turn to the ‘Defenders’ series building up on Netflix (Luke Cage, Jessica Jones, Daredevil, and Iron Fist). The Avengers world is slightly goofier because it has to satisfy a wider family audience. As such, our hero here once again has a wry, sarcastic sense of humour, a bit like Tony Stark, Captain America, and all the rest, really. Yes, it’s becoming a bit stereotypical, but it’s a formula that seems to work for dealing with preposterous situations and maintain a semblance of realism. If the main character can laugh at how mad everything is, so can we, and as therefore, accept it.

Benedict Cumberbatch needs a little more time with his new American accent to get his beats spot-on, however.

Tears: 1/5

Hmm. It’s a difficult one this. You need a real ‘Uncle Ben’ moment in a superhero film to raise a tear from me, and although this has got something close, it’s not massively heart-rending. It doesn’t help that Strange himself is a bit of an arrogant git to start with, so you’re not massively invested in his own losses, but do cheer with his redemption, which is another category…

Cheese: -1/-5

I’m sorry Ben C (as I’m sure you are reading this, in which case, forgive me, and please get my books made into films and star in them all if you like) but you need a little bit more time with that American accent. It’s not that it’s a bad accent, it’s just that it’s lacking the dramatic ebb and flow you are famous for (you were Smaug for goodness’ sake!).

It’s quite frustrating to see such a good actor, and I believe, thoroughly nice chap, be dulled a little by having to ‘Yank it up’ (that sounds rude, but you get what I mean). It’s very close, and only slightly distracting, but I needed to mention it somewhere.

Cheers: 3/5

This is where Marvel always hit the high notes for me. The film is full of fist-pumping, mind bending action and iconic moments that keep it building to a great climax (once the origins bit is out of the way, but I liked that too).

Yes, Strange is a bit of a git to start out with, but so was Tony Stark, and the journey is the point. Bit-of-a-git-done-good seems to be a winning combination, when combined with top-class, original visual fx and action.

Fears: 0/5

If you have a fear of kaleidoscopes and pop art, keep away, but this doesn’t set out to scare in that sense, I don’t think.

Bonus Category: + 3 Acid House

This is a trippy film and has all the fun of hallucinogens without the over-riding fear that everyone in the room is a devil come to eat your soul. The visual fx are stunning, and a welcome change from the usual barrage of explosions and collapsing buildings.

That’s not to say there aren’t explosions and collapsing buildings, but it’s the way they explode and collapse that’s so different here. I would say unique, but ‘Inception’ paved the way for this world-bending style. Doctor Strange, however, takes it to a whole new level.

Total: 8

(Check the Leader Board to see how it compares…)

Links:

Wikipedia: https://en.wikipedia.org/wiki/Doctor_Strange_(film)

IMDB: http://www.imdb.com/title/tt1211837/

Agree / Disagree with my assessment? Leave a comment to let me know or submit your own scores for this or any other film listed in the leader board below to be aggregated into the ‘readers choice’ table on the main rating page.

And if you enjoy my reviews, please like/share this page link, and consider taking a look at my original science fiction books advertised in the side bar! Thanks for reading.

How Not To Work & Claim Benefits Review

Using my Laughs, tears, cheese and cheers rating system, here is my spoiler-free review for the locally made (to me), internationally distributed ‘How Not To Work and Claim Benefits (and other useful information for wasters)’, with links below if you want to find out more.

hntw-poster

(Not so) Quick Summary

‘How Not To Work & Claim Benefits…’ is an ambitious production that punches well above its weight in terms of production values and quality, and mixes kitchen-sink, psychological, comedy and moral themes into the tale of two down-and-out wasters gifted £10,000 from a mysterious benefactor.

This is a departure from my usual diet of big-budget, Hollywood-centric cinema movies, as I finally get to watch an independent movie that I’ve seen steadily come to fruition via social network contacts who were directly involved in the production. However, most of these contacts are at least once or twice removed, friends-of-friends type people, so I feel I can still offer up a fairly, none-biased review, all be it tempered for the barriers inherent in a production of this scale compared to mainstream blockbusters.

With that said, having secured an impressive distribution deal on Amazon prime (links below), as a patron of said service I sat and watched this as I would any other movie, so I thought I’d put it though my same review-system mill and see what comes out.

Laughs: 2/5

The film rotates around the central relationship between Mike and Dave (or is that Dave and Mike?), sharing a crumby flat together and wasting away their days with alcohol, drug and benefits fuelled high jinks and adventures. The banter between them works better as the film progresses and you almost watch the pair relax into the roles for certain scenes.

There are some well-placed comedy characters scattered across the supporting cast that lift certain long scenes that risked being too functional without the light relief.

Not every joke landed with me, but they rarely do in any scale of production and none felt too contrived or fell disastrously flat.

Tears: 1/5

Without spoiling anything, there is a very serious side to the plot that we are introduced to early on with flashbacks, dealing with bullying and the victims of harassment. It’s hard-hitting and a little hard to watch, but only because it rings true. However, the pay-off for this traumatic back-story is unfortunately lost a little in a third act that falls into heavy, dialogue driven revelation rather than finding a way to show the impact we are obviously meant to feel, otherwise I would have scored it higher.

Cheese: 0/-5

For the uninitiated, the ‘cheese’ category is minus points for when film-makers commit the sins of lazy, clichéd dialogue, edits or action that they should really know better to avoid. Although there may be some moments in this film that don’t achieve the laughs or emotional impact I think they were after, it feels like the result of lack of time and resources and therefore hard compromises. If a major studio tests a scene and it’s not working, they will often re-shoot, re-edit, do pick-ups or what not. I doubt those options were readily available here, so I am letting them off any deductions!

Cheers: 1/5

Scoring on my ‘cheers’ category doesn’t necessarily mean a fist-pumping, feel good ending. What I look for here is a satisfying moment or conclusion that makes me feel rewarded as a viewer, even if it is dark or melancholy.

There is a noticeable lurch to the finish line with this film that I think it suffers from. In all constructive honesty, I found the last third of the film a bit slow and overly reliant on excessive revelatory dialogue. As I said before, I would have liked to have been shown more of this, in a more interesting way.

As a novelist, I know that endings are the hardest thing to get right, and I wouldn’t claim to have nailed this myself yet (please still buy my books). It felt like either the script or the cut needed a pretty ruthless edit or re-think, and possibly production time to do this got away from them. It felt like a good 15 minutes could have been cut, and the film would have worked better. Don’t get me wrong though, the idea of the ending (and film in general) is a good one, worth telling.

However, as it was a good idea I’ve given it a point, as plenty of films don’t have the idea or get the pacing right.

Fears: 0/5

It’s rare for none-horror films to score here, so nothing out of the ordinary with this category.

Bonus Category: + 2 Job Done

The work and passion that went into making this film and getting it to market must have been astronomical. In this area (Staffordshire. UK), a lot of our creative industries are reliant on service-industry style work (weddings/music videos), and I know that good intentions to create original work often fall by the wayside when there are bills to pay. I deal with this by working a ‘normal’ job and making little to no money from my books, but all I need to do that is a computer and some self-discipline. Getting a project like this past the finishing line is a major achievement and my congratulations goes out to all involved. Well done.

Total: 6

(Check the Leader Board to see how it compares…)

 

Links:

THE FILM: https://www.amazon.co.uk/Claim-Benefits-Useful-Information-Wasters/dp/B06XBTRV6P

OFFICIAL SITE: http://www.rottenparkroad.com/portfolio/how-not-to-work-and-claim-benefits-other-useful-information-for-wasters/

Agree / Disagree with my assessment? Leave a comment to let me know or submit your own scores for this or any other film listed in the leader board below to be aggregated into the ‘readers choice’ table on the main rating page.

And if you enjoy my reviews, please like/share this page link, and consider taking a look at my original science fiction books advertised in the side bar! Thanks for reading.

[REC] 4 Apocalypse Review

Using my Laughs, tears, cheese and cheers rating system, here is my spoiler-free review for Spanish zombie movie ‘[REC] 4 Apocalypse’, with links below if you want to find out more.

rec_4_poster

Quick Summary

For some reason I’d completely forgotten about the ‘REC’ movies until I stumbled upon the latest instalment on Amazon. As I remember, the first two were great, ‘found footage’ horror movies that blended mystic catholic/demonic forces embodied in contemporary zombie hosts, all set in a single location. The third film was a stinker, with the budget being upped, the goofiness through the roof, and reverting to standard ‘movie’ photography.

I’m happy to say that the latest and final instalment, while still falling back on normal camera work mixed with security camera footage, is back on form, with all the action taking place on a trawler deep in the ocean, a small cast, and riveting action.

Laughs: 1/5

While still a bit tongue-in-cheek, unlike the over-the-top third film, the tension felt real, and therefore the laughs aren’t high. I am awarding a point, however, for the best use of the word ‘Monkeys!’ I’ve ever seen in a film, even if it was in Spanish and I was reading it from the screen.

Tears: 0/5

I can’t say it made an emotional impact. It was more about the survival, setting and action.

Cheese: 0/-5

I’m letting it off any down-grading. That’s not to say it wasn’t a little cheesy in places, but it did it well enough to slip me by.

Cheers: 3/5

There are lots of pay-offs here, with the plot twisting the characters around so you don’t know who you are meant to be rooting for, but then sorting it out all nicely and dynamically in the final third. The enclosed setting means every step and victory is earned and well thought out, and there’s lots of inventive zombie deaths. If you don’t like zombie films, this isn’t for you, by the way.

Fears: 2/5

This is a shock ‘jump’ film more than it is a tension or psychological thriller. The jeopardy is intensified by the claustrophobic location, and the make-up and prosthetics on the right side of gory to make you squirm and recoil. Not as dark and scary as the first two films, but a good watch if you are after a fright-night!

Bonus Category: Vamos! +2

I’m awarding bonus points for whoever made the decision to set this entire film on a deep-sea trawler boat thing. Like the ‘Alien’ films and ’10 Cloverfield Lane’, it sets a tone and palette that binds the whole together, and the natural boundaries force the characters and plot to do more of the work, in this case successfully.

Total: 8

(Check the Leader Board to see how it compares…)

Links:

Wikipedia: https://en.wikipedia.org/wiki/REC_4:_Apocalypse

IMDB: http://www.imdb.com/title/tt1649443/

Agree / Disagree with my assessment? Leave a comment to let me know or submit your own scores for this or any other film listed in the leader board below to be aggregated into the ‘readers choice’ table on the main rating page.

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Sausage Party Review

Using my Laughs, tears, cheese and cheers rating system, here is my spoiler-free review for the R-rated animation ‘Sausage Party’, with links below if you want to find out more.

sausage_party

Quick Summary

Taken at its best, ‘Sausage Party’ is a well-conceived and realised spoof of the family-friendly Pixar/Disney animations built around an anthropomorphic premise. Taken at its worst, ‘Sausage Party’ is just puerile nonsense. For me, it wavers more towards the latter, but I guess that parents who are on their 100th viewing of ‘Cars’, or similar, might have found the pure effrontery of the idea a welcome change in their routine.

Laughs: 2/5

There are only so many times you can get a shock-laugh from cutesy animated food saying ‘F-you’ and ‘we’re f-d’. I would have found it funnier if not all the characters dropped f and c bombs at every opportunity, and instead, it felt like a Pixar film had been infiltrated rather than totally replaced by Seth Rogan and his mates swearing into a microphone while some stuff happens on screen.

The problem for me is that the Pixar films this is sending up are funny, generally, for kids and adults, and in a much more subtle and clever way. Therefore, why spoof them if you’re not going to be funnier? I did still chortle a bit though in the first half an hour of the film when I was seeing these audacious things for the first time, but it soon got repetitive.

Tears: 0/5

Not at all! It’s hard to give a f about f-ing food that f-ing swears all the f-ing time and thinks it’s so f-ing funny.

Cheese: 0/-5

The cheese category is very apt for this film, but as a ‘spoof’ it is almost immune to being accused of fake sentiment, as that is exactly what it is trying to send up.

Cheers: 1/5

Animated movies take a lot of hard work, and some of the action sequences were impressive and a credit to the team that produced them. At times, the things going on visually were weird and wonderful enough to distract from the mostly infantile script.

Fears: 0/5

Nothing to report on the ‘fears’ front.

 

Bonus Category:  Food Fight -3

Allegedly, many animators who worked on this movie were refused overtime pay and many who left as a result went uncredited, despite having worked on the film. That’s a shitty thing to do, if true, and if not I will adjust this modifier later on. However, I would still mark it down at least -1 for over-reliance on shock over content from the script writers.

Total: 0

(Check the Leader Board to see how it compares…)

Links:

Wikipedia: https://en.wikipedia.org/wiki/Sausage_Party

IMDB: http://www.imdb.com/title/tt1700841/

Agree / Disagree with my assessment? Leave a comment to let me know or submit your own scores for this or any other film listed in the leader board below to be aggregated into the ‘readers choice’ table on the main rating page.

And if you enjoy my reviews, please like/share this page link, and consider taking a look at my original science fiction books advertised in the side bar! Thanks for reading.