Pin the Devil.

It was something my grandma told me. I don’t know if it’s common knowledge, or a common myth, but I’m guessing she didn’t just make it up.

The way it goes is this: if you have lost something, simply take a pin (any type will do), and say out loud “I pin the devil”. Follow this by the name of the lost object and stick the pin in the back of a cushion. Leave it there for three days and the object will turn up.

To be honest, incantations over pierced furnishings wouldn’t have occurred to me, if it wasn’t for the ghost. Had my mind not already been on the supernatural, my grandma’s words would have remained a forgotten memory when I lost the ring. But I am getting ahead. Perhaps I should start with the ghost.

I don’t know when the ghost started. It was in the house before me I’m sure, so who can say? When I first moved into 32 Forge Lane, the landlady had neglected to mention that I would be sharing my little terrace with a poltergeist.

Maybe she hoped it would be masked by the plethora of other phenomenon the house presented. She would have been right to. For the first three months I accounted every strange going on in the house to faulty heating, dodgy wiring, and incessant drafts. But after a while, when all the doors had been oiled, all the cracks plugged, and your step dad has kindly given the boiler and the electrics a once-over, you start to notice the difference between a knocking pipe, and just plain knocking.

For a start, a knocking pipe doesn’t knock back. It may seem to, if you are prone to an over-active imagination, or chance so happens to time the random expansion and contraction of metal with your own signals. But that kind of chance, or whimsy, is not demonstrable to others. You know for certain when you can spend a whole evening with your sometimes-boyfriend, rapping knuckles with the other side, asking questions.

The problem with the whole ‘knock once for yes, twice for no’ system, however, is that it rather puts the emphasis on the person asking the questions. But it can get you so far, if you are persistent.

 

Isabelle

Do you want to talk to us?

Knock.

Isabelle

Good. We want to talk to you too. Did you use to live in this house?

Knock.

Josh

Did you die here?

Knock knock.

Josh

But you are dead?

Knock.

Isabelle

Is it you who opens the doors upstairs?

Knock.

Isabelle.

I thought so. And opens the windows?

Knock.

Josh.

See? I told you it wasn’t me.

Isabelle.

Shush! Are you happy here?

Knock.

Isabelle.

And do you mind me living here?

Knock knock.

Josh.

Does that mean no he doesn’t mind, or no he doesn’t want you here?

Isabelle.

He doesn’t mind, I think. Actually, are you a ‘he’?

Knock knock.

 

Call me a sexist, anti-feminist if you want, but something about knowing it was a ‘she’ made me feel better immediately. I’m sure you could argue that women are as free and equal to turn into spirits just as terrifying as men, but another female presence in the house reassured me. After all, how many tired ghost stories have you heard about dirty old misogynistic man that died in the battered armchair in the corner? That’s not what I wanted at all.

After our conversations, things settled down. If something ever happened that I didn’t like, or that disturbed me, I would ask very nicely for her to stop, and she always did. It just became normal to talk to the ghost when needed, but other than that, life continued as normal (at least for me). Then things started to go missing.

It was just little things, usually, and they almost always turned up. Josh’s tobacco, my hairbrush, house keys and whatnot. I know that you’re thinking: who doesn’t lose their keys? We all do, I know, but they don’t usually turn up on top of a six-foot bookshelf that you can’t even reach without climbing on your armchair.

It caused arguments between me and Josh, before we realised it was the ghost. He can be, let’s say, controlling, and I thought he was hiding things to put me off kilter, to make me feel like I was losing it. Josh said it was stupid to blame him when I was the one living with a mischievous spirit. He had a point, so I decided to speak to the ghost again, this time alone.

 

Isabelle

Are you there?

Knock.

Isabelle

Did you hide my keys?

Knock.

Isabelle

And Josh’s tobacco?

Knock.

Isabelle

I’m not angry, but can you please stop hiding things?

Knock.

Isabelle

Thanks. Also, I don’t know how you can answer this, but I still can’t find my grandma’s ring. Only, it’s valuable to me, and I really don’t want to lose it.

Silence.

Isabelle

Is it possible you can put it back for me, where you found it?

Knock knock.

Isabelle

Please? You did hide it, didn’t you?

Knock knock.

Isabelle

No? You didn’t?

Knock knock.

 

Of all the luck, I had an honest light-fingered ghost willing to return my goods, but the one thing I really wanted back wasn’t in her possession. I searched everywhere I could reach and clambered on furniture for those places that I would normally send Josh. He was having another of his ‘absent’ patches, so was no help at all.

The ring was an heirloom and was of more than just sentimental value. Mum had smuggled it out of my grandmother’s house when, in her dying days, long absent relatives suddenly started appearing like so many woodworm. It had always been intended for me, but with the hyenas around, Mum wanted to make sure it was safely out of reach from sticky fingers.

It was thinking of my grandma, and what mum would say if she found out I’d lost the ring, that trawled up the memory of ‘pin the devil’. It’s a funny thing, I’d only ever heard her mention it once, a long time ago when I still lived at home, but it had stuck with me. I think I’d lost something innocuous, probably my Walkman, and was scampering around the house in a blind panic. My grandma sat there watching and told me I should ‘pin the devil’, and exactly what that meant. Mum was there at the time, and for a rational sort of person, she didn’t bat an eyelid at the suggestion.

I never did it. The thought gave me the same chill as I got from playing Ouija with my friends, and a lost Walkman just didn’t seem worth the risk of dabbling with dark forces. But the notion that we could call for help on forces beyond our understanding stuck with me, as if there was a symbiosis at play between worlds.

It took a bottle of wine on a particularly lonely night before I plucked up the courage to give it a try. I had found out earlier that day that Josh had found somewhere else to hang his hat. He’d got his hands on some money, for a change, and no longer needed my social, sexual and financial subsidies. Apparently he was telling people it was my fault for being too overbearing. Presumably because I once asked him if he could bring some milk around, or some other torturous domestic request.

It’s funny how you can’t find a pin when you want one, and realise that you haven’t needed one since you were 12 and wanted to stick a Take That poster up on your wall. Fittingly for that teary night, the only pin I could find in the house was from the back of a badge that Josh had bought me at a gig. It was a black badge with a picture of a green skull in a bowler hat. I don’t even remember the band it was for. I never liked it, and had no issue with bending the pin back and probably ruining it forever.

I performed the ridiculous ceremony, calling for the ring and thrusting the badge pin into a sofa cushion. I went to bed expecting nothing, at least not for three days, but my wait was considerably shorter.

Now, I didn’t know if I had forgotten the added detail about the feathers, or if my grandma neglected to tell me, but it was a nice touch. At first I thought that Bart, my long missing cat, had returned with a present to say sorry for having disappeared three years ago. The feathers were dotted around the living room. There wasn’t hundreds of them, but enough that the eye noticed them straight away. I couldn’t honestly say what kind of bird they had come from, but they were white with black roots, and relatively small, about the size of my thumb nail.

I gathered them up one by one, following a trail of my own making, so I thought, until they led me up to the mantelpiece where I spotted the last one behind the carriage clock. And there it sat, the last feather, resting on Josh’s favourite lighter. He had kicked up a huge fuss when it had gone missing, accusing me of throwing it away to spite him. I remember how he’d been a miserable bastard all night after that, but wouldn’t leave because he knew I was making dinner and wanted to eat, basically.

Now I had found it, I actually did throw it away, along with the feathers. I checked everywhere and found no more. Okay, it wasn’t the ring, but it was something. A warm up. I resolved to leave the pin in place, and see if anything else turned up. Sure enough, the next morning, the feathers were back.

This time, they led me to the bookcase, and the last feather lay on one particular book. The book itself was not lost, evidently, but I opened it up and a photo dropped out from between the pages. It was a picture I had forgotten even existed, so I suppose in a sense, it was lost. The picture was one of me from back home, before I moved out here, when I wanted so much to get out and make my own world. I am kneeling on the sofa at Mums, throwing my hands out to the camera, and I have a look in my eye that I haven’t glimpsed in the mirror for a long time. It was a look of wide-eyed determination and hunger for independence, if such things can be gleamed from a Triple-Print Kodak.

When did I lose that look? If I was going to blame anyone, it would be Josh, but I’ve never been one to lay my shortcomings at other’s feet. Maybe, on some dark nights of the soul, I have been guilty of bitterly blaming my underwhelming existence on his toxic blend of possessive none committal. But I have always checked myself. I am more that the product of someone else’s whims, I know that, even if the hurt can occasionally make me feel otherwise.

I thanked the feathers for the discovery. To find something you weren’t looking for, but needed, is a gift indeed. I resolved to capture that look once again, and looked forward to what day three would bring.

I didn’t have to wait to the next morning, however. I woke during the night, for reasons unknown. There was no startling dream, no wind whistling down the terrace, and no bodily functions to satisfy. I was simply awake at 3am. Trying to find some reason to satisfy and return to sleep, I decided I must be dehydrated and went to get some water.

On the landing, my bare foot twitched as a tickle ran across it. I didn’t need to turn on the light to see the feather, the white down echoing the moonlight against the grey carpet. My eyes adjusted quickly, seeing the line leading down hall, past the bathroom, and terminating below the hatch to the attic.

The attic. That strange none-place in most houses where lost things are forgotten, and forgotten things are lost. I recalled the last time I was up there. It was Christmas, in the obligatory annual attic-opening to recover the old biscuit tin full of decorations and the bin bag with the plastic tree. It was possible that the ring had fallen off when I was up there.

I retrieved the stick from the corner that existed solely for the purpose of clicking the hatch up and off the magnetic catch, allowing the wooden door to swing open and the folding ladder to swivel on its hinge to a reachable height. It was okay getting it down. Putting it back up was another matter. Last time I was up here, Josh had to do it for me. As I pulled the ladder down to it’s full height, another feather drifted slowly down beside me.

I climbed the stairs, lit only by the night through the hallway window, knowing that a small switch on the inside of the hatch frame would illuminate the void above. I positioned myself half way up the stairs and switched on the solitary bulb. I was surrounded on all but one side by my hastily stacked decorations and boxes that I had never unpacked since moving in. Some were open, which I couldn’t remember doing. Maybe I had a taken a little look one of those Christmases, and decided that the memories were exactly where they needed to be, but I was sure I hadn’t.

Either way, as my eyes reached the level of the floorboards, more feathers came into stark contrast, leading through the gap to the small triangle of space by the apex of the rafters, where one could just about stand crooked by the water tank. I crawled up and around the corner, and that’s when I saw them.

Both birds were skewered to the boards by a single metal peg driven through the breast. I would say the pegs had come from my stashed camping gear, but these were thick, rough, mottled iron pins, the kind that you could imagine hammered into the hull of a boat. The poor beasts were dead, of course, their white feathers with black roots haloed around them. They both lay at his feet.

Just when and how Josh had found his way into my attic, and who it was that did that to him with the third peg, will forever be a mystery, if you believe these words. Don’t bother going to the house and trying to ask the ghost; the knocking stopped that night.

I submit this to you as my statement, as my declaration of innocence. I doubt it will help me now. When I pulled the peg from his chest, I swear it was only to retrieve the gold ring that was looped around it. In my shock I handled everything that has now incriminated me in his murder. All I wanted was my grandma’s ring back, and now it is locked up, like me, awaiting the exhibition of justice.

THE END.

A note from the Author:

Thanks for reading! I really appreciate it, and it would be great if you could help me reach more people by sharing this on social media by using the buttons below, or copying and pasting the web address far and wide.

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Garry.

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The Timeless Whirlpool of the Talkers.

I can still hear them, at night, long after the bell has rung and the doors are locked. I lay, restless and buzzing from the constant hum that has followed me to bed. The echoes of a hundred simultaneous voices still reverberate in my weary skull, punctuated by the chink of glass on glass.

Sometimes, when I am not so tired and lay alert and listening carefully, I can almost make them out, as if I have the ability to listen again to everything that was said that night, even those words I paid no attention to before. But somehow the utterances evade me. They crescendo and fluctuate with the familiar cadence and rhythm of a million well-worn conversations, but not one syllable can I decipher.

It’s not every night I hear them, just those evenings where the energy generated in the public house seems to overcome the natural order of the silence that should follow. You can tell, when you are down there, a night like that. It is when the edges of the various social bubbles meet and begin to merge. Ripples of mirth, mayhem and intrigue can spread from pocket to pocket, through lounge to bar and back again in a circle of electricity, growing ever more potent and powerful. Fuelled by flowing confidence from tap and optic, sometimes it can be frightening, but always exciting.

The weak willed like me get swept away with it, well past the end of the shift and the hasty clear-up and into the after-hours when tips are turned to drink, and drink is put to good use. Those remnant handfuls of workers and the few favoured regulars, leaching off the residual glow in the last illuminated corner of the now barricaded sanctuary. Here we tell on ourselves, and others. Here we share secrets we ought not. Here the accumulated gossip of a good night is doled out and dissected. We take more from you than your money.

And here, when those of us who don’t retreat because we work for our board (and maybe, board for our work?), are all that’s left, one last door is locked behind us as we ascend to our dowdy refuge. In my room, directly above the epicentre, I try to unwind and the murmurs begin anew.

Now, it appears, they are growing ever more frequent and raucous. Even in the quiet midweek, when fever pitch is seldom reached, I have begun to hear them. I wonder how long the auditory afterimage of the last searing evening can actually last. Is it there all the time? Have I partook in one-to-many extra-curricular sessions so that I can no longer shake them? Is it only when hush is mixed with dark that my senses notice the ever-present drone?

Here on a quiet and almost forgotten Wednesday, alone in the flat, punters long departed and lines well drained, I cannot catch that sober and elusive early-night, thanks to the infernal chatter from below. Yet I know no one is there. I turned the keys and set the alarms myself, but for all the world, beneath the boards the night continues. Without intoxication or high spirits to blame, there can be no doubt.

It’s 2am. It’s been 2am forever, it seems. Whatever the point was of lying here, it has long gone, and all I can think about is the chatter. A laugh breaks out of the mumble soup, as clear as the day will soon be. I swing my legs out of the sheets and pull on the jeans that lay waiting where I stepped out of them an eternity ago. I wrap the rest of me in the tatty gown that smells of smoke so stale it’s almost become fresh again, like everything here, smothered in an amber film of nicotine.

I don’t like to go downstairs after the furore has been sent home and its fallout contained behind the frosted door at the top of the stairwell. I don’t even like coming up those stairs with the cloying darkness on my heels. I never go down, usually, until the daylight has worked its normalising charm. But I’ve got to exorcise this madness from my mind and  give my eyes chance to lay waste to this myth in my ears.

I light up the stairs from the single switch at the summit and make the dash down to the extensive panel at the bottom, around the corner, groping in the darkness for the top row. I realise I have my eyes closed as I do this, a fire-with-fire defence against the heavy black. I click the switches and open my eyes. Only the inside of the bar is lit-up, as it must be at this time of night, should a passing lawman suspect some unlicensed frivolities peeking through the heavy curtains. Beyond the polished and worn oak, shadows prevail.

I tread the extended horseshoe that links bar to lounge yet never has the full view of either. I round the last corner to the far end of the lounge. The sticky, sickly orange glow of the bar lights barely penetrates as far as the upturned chairs resting uneasily on the squeaky red leather benches that run the line of the outer walls.

There is no one here but me, of course, and I hear nothing but the wind in the streets and the slight hum of meters and machines in the cellar. Suddenly I feel awake, stupid and thirsty. Why not pour myself a drink? After all, I’m alone tonight, for a change, and I can put it on my tab to be paid for later by the cheap generosity of clients with too many coppers in their change.

The optic drains into the tumbler, once, twice, hell, let’s make it three times. The ice machine has a few flakes left to push the whisky even further, and a cigar from the tin next to the limes tops it all off.

I don’t really want to go around to the other side, with the shadows, but my bare feet are cold on the dampish tiles behind the bar, and the high-stools are still out, customer-side. There’s a small envelope of pitch black where the hatch lets me out into a small corridor that joins the bar, lounge and services. I skip through it and back to the lounge, a shudder running with me all the way. I take the first stool I come to that hugs the last trap before the door, partitioned by thin, carved pillars.

My drink waits for me on the bar. It feels reassuring to sit facing inwards, like any lonely regular drinking alone at early doors, lost in thoughts, or found in their absence. The whiskey stings at first as it runs on dry, cracked lips. A slither of the ice remedies that as I work it around my gums before taking that first retching gulp. It makes me draw breath through my teeth, and now I’m ready.

‘I never knew him, not really…’ a woman says from behind, from the corner where we normally huddle after hours, cackling and gossiping. My bad habit of ear-wagging kicks in, and then I remember: I’m alone.

‘That’s not what I heard’ a guttural, male voice says, mirthlessly, almost menacingly. I don’t recognise it, I don’t like it, and I won’t, no, I can’t turn around. My glass is frozen at my mouth, tilted but not pouring, I can feel small discrepancies in the rim of the glass tremble sharply against my lips. I can’t move it, no, I daren’t move it.

‘You hear too much, and not half of it true’ the double-negative woman says. Is this it? Has the senseless chatter finally crystallised in my delusion? There is no doubt now. I can hear them, but they can’t be there. For one thing, the rear of the bar is mirrored, and although it is hard to see past my own pale reflection into the murk beyond the reach of the lights, I find not even a hint of a silhouette.

‘I know more than you think’ the man says. ‘I know he wasn’t alone that night, even if that was how they found him. Even if all the doors were locked from the inside, like they said.’

‘Oh yeah, detective?’ the woman says, sarcastically. ‘How’s that then?’

‘There was the glasses, for a start.’

‘Glasses?’

‘That’s what I said. Two glasses, on another table.’

The woman laughs in a breathy cackle I feel I’ve heard before, in the dusk chorus.

‘It’s a pub!’ she finally manages to spit out. ‘So what?’

The man doesn’t seem to find it, or her, funny.

‘It was after hours. The chairs were put up every night, the tables polished, the ashtrays emptied. Every night. Without fail.’

‘So he missed one.’

‘And didn’t notice it when he came down? Sat hardly a yard away?’ The man was speaking to her like she was stupid, barely tempering the contempt in his voice. Something tells me these two knew each other too well. Well enough to hate and abide each other’s companionship until the miserable sun burned out. The kind of couple who come to the pub every night to get away from each other, but end up spending each and every night in the same corner, trapped in contemptuous companionship.

‘And there’s more’ the man continued while the woman scoffed and gulped something down. ‘The mirror was broken.’

‘Which one?’

‘Behind the bar, over there.’

My spine locks. They’re looking this way. I can feel it, them, burning through the back of my neck. But in the mirror, nothing.

The woman grumbles, unconvinced, but curious.

‘I thought they found him slumped over there?’ she says. Now the burning is right on me, all over and around me. The man grunts in agreement.

‘So how did he smash the mirror? Unless he had a funny turn first.’

‘And then sat down for a whiskey and cigar?’ the man pointed out.

‘Maybe to calm his nerves’ she says, sounding unconvinced. ‘Anyway, he never lit the cigar, I heard.’ The pair fall quiet as both take slurps from drinks.

Calm my nerves? She might be right. That’s what these people are, my nerves, at devilish play. Nothing more. The mirror isn’t broken, and I’m not leaving this cigar untouched, I’m having it right now, except… The matches. Not here. Not in my pocket. Behind the bar. No problem. I take the cigar and break it in two.

‘It was snapped in half, though. What was that about?’ says the man, followed by a long sucking noise of moisture being drained from a presumably hairy top lip.

Oh come on! This is beyond madness now. This is a joke. A joke on myself. The mirror already confirms what I know. There is no one there. A quick glance over my tense shoulder will further validate this absence of reality. All I need to do is turn, but the thought of doing so, of actually peering into that dark corner, is the same thought as my heart stopping. But look I must. I must.

I turn my eyes first. Slowly my head follows, hastened by the confirmation from my periphery. There is, thankfully, no one, nothing. The voices have stopped. They haven’t just taken a break from their gossip, they have ceased to be present at all. I can feel the settled ambience of the empty room and my eyes have adjusted to the dimness. It is, as usual, just another corner of a smelly, locked, abandoned pub, save one. I shall take my drink, and another, and what remains of my cigar to bed. I swivel fluidly on my stool back to the bar.

‘Last orders?’

The shock is automatic, the snap of my hand to the drink beyond any conscious decision. The intense, sepulchral face is inches from mine and the bottomless eyes are absorbing my own. I hurl the glass at the craggy faced man who has appeared before me. I take in the dirty blue apron, sweaty white shirt and crooked teeth of the foul barkeep as the vessel passes through, and crack! I blink heavily at the shattering impact. My eyes open. The mirror is broken. The spectre has gone. The drink, somehow, is still grasped tightly in my white, blood-starved fingers.

I try to relax my grip, but the messages don’t get through. The tumbler is at eye level. The cold oak veneer is pressed against my cheek. Am I resting? Did I fall asleep? If so, why can’t I sit up? I can only feel myself tipping backwards from the stool, falling out of myself, away, into the baying crowd who ramble noisily behind me. They claw at me with their fingers and their words, tearing me cell by cell into the timeless whirlpool of the talkers. All that is left of me out there is a husk, broken, like the cigar, in so many fragments and tatters.

I understand now. If you hear them, their stories, their musings and mumbling in the night, then they have you. If you know their words, they know you. They have you.

I am with them now. This was my story. Soon we will have you too.

THE END.

A note from the Author:

Thanks for reading! I really appreciate it, and it would be great if you could help me reach more people by sharing this on social media by using the buttons below, or copying and pasting the web address far and wide.

If you’re feeling really generous, you can support my writing by buying any of my books advertised in the sidebar, or donating £1 (or whatever you can spare) using this link:

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Thanks. 

Blair Witch (2016) Review

Using my Laughs, tears, cheese and cheers rating system, here is my spoiler-free review for the mostly unnecessary ‘Blair Witch’ (2016) that can’t decide whether it’s a remake or a sequel…

blair_witch_2016_poster

Quick Summary

For me, the original ‘The Blair Witch Project’ was a classic and genre defining film. It kick-started the low-budget ‘found footage’ phenomenon for a start, and made up for lack of resources by using the audience’s imagination against them. This latest outing, while a major improvement on the shoddy ‘Book of Shadows’ sequel, makes the mistake of thinking a beat by beat sequel-come-remake with a few extra elements thrown in will recapture the spark that made the original such a classic. It doesn’t. Even though it is a fairly watchable film, it is very unnecessary.

Laughs: 0/5

You don’t usually go to the scary woods looking for laughs, which is lucky, because there are none to be found here. We get glimpses of the new group before they set out with some light-hearted moments, but nothing that stands out enough to score.

Tears: 0/5

Am I that cold-hearted that I didn’t care about any of these people? Or is it that I knew too much already about what was coming (given it was so similar to the original in pacing) and therefore the characters felt contrived? The latter, I think.

Cheese: 0/-5

I’m going to let them off with minus points for cheese. I was tempted because of the whole ‘teenagers go into the woods’ idea, but couldn’t pinpoint one particular example.

Cheers: 0/5

Oh dear. Not looking good is it? To be fair, if I was scoring the original, I don’t think there was any moments to cheer for in that either. The opposite, if anything.

Fears: 3/5

Perhaps not surprisingly, the horror that worked for me, like the original, was the dark, torch-lit woods with mysterious sounds and satanic symbols. And there was enough of that to carry me through to the end reasonably entertained. What this film does to ruin all that is go big and obvious in certain places, which didn’t work as well. The original was about ‘less is more’ – here we have ‘more is less’. The finale has a pretty claustrophobic scene that would put the jeebies up most people though.

 

Bonus Category: -1 Return of the twigs

I think the problem with this film can be summed up in a scene where after the groups wakes up, the twig effigies hanging around the tents are significantly bigger than they had been the night before, as if we are meant to go ‘Oh my God! Look how big those twigs are! This must be bad!’. Simply going bigger while having no innovation doesn’t work when trying to follow in the footsteps of an innovative film. A new angle was needed, and not found here. You won’t be angered watching this film, but you may as well put on the original instead.

Total: 2

(Check the Leader Board to see how it compares…)

Links:

Wikipedia: https://en.wikipedia.org/wiki/Blair_Witch_(film)

IMDB: http://www.imdb.com/title/tt1540011/

Agree / Disagree with my assessment? Leave a comment to let me know or submit your own scores for this or any other film listed in the leader board below to be aggregated into the ‘readers choice’ table on the main rating page.

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