Using my Laughs, tears, cheese and cheers rating system, here is my spoiler-free review for sci-fi linguistics-based thriller ‘Arrival’, with links below if you want to find out more.
I’d heard good things about ‘Arrival’ but not really taken much notice at the time and marked it as a ‘one to watch when it’s available to rent’ type film (which to be fair, is the majority of my movie viewing). As I ordered it on Amazon, the words ‘linguistic expert’ flashed by on the description, and triggered a vague memory. Then, within about 20 seconds of the start of the film, it hit me… “I’ve read this!”.
Based on the excellent sci-fi short “The Story of Your Life” by Ted Chiang that I read at some point in the last six months with no knowledge of this film’s provenance, the spirit of the story, and an almost unchanged plot, is captured well in this slow-paced but big-themed exploration of time, communication, fate… and aliens, of course.
I’m not going to even try and pretend there is any laughs in here. It is a sombre, serious and reflective movie, thankfully not ruined by any shoehorned smartarses or sidekicks.
I’m scoring this high on tears, though my face was dry. I think that’s because I knew the plot before watching so had already experienced that first jolt of realisation that comes as the pieces are put together. That said, I did gain more insight into the original story from watching this, which often happens to me with good adaptations. Even as someone who knew the general idea, I still found it moving, especially after a little post-viewing reflectiveness.
I think cheese, like laughs, would have killed this film dead, so thankfully, this is a fromage-free zone.
I’m scoring this a decent ‘cheers’ rating, not for action or easy plot arcs, but because it does a really decent job of weaving and resolving a consistent thread from the first scene to the last, without any wishy-washy ‘Interstellar’ style devices coming out of nowhere to try and round it all off and act all clever like because they ‘did some special fx’.
This is down to disciplined adherence to the strong source material that already did this well. If you watch this and don’t know what I mean, then think again about the ending in context of the whole film. You’ll get there eventually. Message me if you’re stuck.
There is a certain creepiness about the alien ‘heptapods’ and the misty spaceship in which they reside… I don’t want to say more to avoid spoiling anything, but the almost hypnotic slowness of the encounters adds to the general unease. I think it’s okay to say though (in case you are worried) that this isn’t a horror. Don’t expect ‘Alien’ – but do expect aliens, and linguistics.
Bonus Category: +3 Say what?
I’m not sure if this is a credit for the original short-story writer, or the producers who decided to make it into a film, but you tell me the last time you watched a film where the main lead was a female linguistics expert who is tasked with deciphering a circular alien language?
It is such an unusual and unique plot (that actually works), you will find yourself wishing you had the skills and reason to try and unlock the mysteries of extra-terrestrial cryptograms. Not many films can say that, if any.
(Check the Leader Board to see how it compares…)
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