For some reason I’d completely forgotten about the ‘REC’ movies until I stumbled upon the latest instalment on Amazon. As I remember, the first two were great, ‘found footage’ horror movies that blended mystic catholic/demonic forces embodied in contemporary zombie hosts, all set in a single location. The third film was a stinker, with the budget being upped, the goofiness through the roof, and reverting to standard ‘movie’ photography.
I’m happy to say that the latest and final instalment, while still falling back on normal camera work mixed with security camera footage, is back on form, with all the action taking place on a trawler deep in the ocean, a small cast, and riveting action.
While still a bit tongue-in-cheek, unlike the over-the-top third film, the tension felt real, and therefore the laughs aren’t high. I am awarding a point, however, for the best use of the word ‘Monkeys!’ I’ve ever seen in a film, even if it was in Spanish and I was reading it from the screen.
I can’t say it made an emotional impact. It was more about the survival, setting and action.
I’m letting it off any down-grading. That’s not to say it wasn’t a little cheesy in places, but it did it well enough to slip me by.
There are lots of pay-offs here, with the plot twisting the characters around so you don’t know who you are meant to be rooting for, but then sorting it out all nicely and dynamically in the final third. The enclosed setting means every step and victory is earned and well thought out, and there’s lots of inventive zombie deaths. If you don’t like zombie films, this isn’t for you, by the way.
This is a shock ‘jump’ film more than it is a tension or psychological thriller. The jeopardy is intensified by the claustrophobic location, and the make-up and prosthetics on the right side of gory to make you squirm and recoil. Not as dark and scary as the first two films, but a good watch if you are after a fright-night!
Bonus Category: Vamos! +2
I’m awarding bonus points for whoever made the decision to set this entire film on a deep-sea trawler boat thing. Like the ‘Alien’ films and ’10 Cloverfield Lane’, it sets a tone and palette that binds the whole together, and the natural boundaries force the characters and plot to do more of the work, in this case successfully.
(Check the Leader Board to see how it compares…)
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