Some hard days and nights viewing here for biopic fans!
For my dissertation, the final piece of work for my Masters in Popular Music Studies at the University of Liverpool, I explored the significance of music biopics – how they created or perpetuated certain versions of music history and why they were generally regarded in a negative light. I tried to focus not on film-making aspects of the productions but on the selection and arrangement of the material used in the stories and the industrial, commercial and creative influences and decisions that affected the final outcomes. I’m not going to go into detail about that now, save to say I selected as examples that enabled me to explore how legal aspects could affect the story, how mythology is woven into the histories and how what I called ‘location veracity’ is sometimes seen as important as the story itself.
For the purposes of a post-postgrad catharsis, clearing my mind of these…
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