If you didn’t catch Part 1 of this blog (https://garryabbott.com/2014/05/13/access-the-beatles-part-1/) – here is part two of my attempt to share some of the lesser known album tracks by The Beatles that I think will enrich and enhance people’s appreciation for what they did for western music.
My full introduction can be found on part 1 – but just to reiterate a little: for those of you who have a good understanding of the Beatles catalogue, this blog may not be so revelatory, but hey, if you think these songs are cool already, then here’s a good excuse to revisit them!
For those of you (I guess quite a lot) who are aware of The Beatles number one records and most popular tunes, I think you may find that some of these songs will surprise you.
When I listen to these songs, I hear modern music. I hear the inspirations and experimentations that have shaped generations of artists. I hope you will too.
Note – I’m working chronologically following on from the last blog, hence numbers start at ‘6’.
6. I’m A Loser (Beatles for Sale – 1964)
I think this is the only song from ‘Beatles for Sale’ I’m going to include here. The album is great, and every song hints at the flexing of musical muscles they were building up at the time, but as a stand-out example, ‘I’m a Loser’ demonstrates the self-awareness that Lennon would go on to use (exploit?) to give his song’s meaning.
Meaning is sadly lost from a lot of modern popular music. The Beatles in part started this with a lot of songs that centred around pretty two dimensional love scenarios (She loves you, I want to hold your hand, from me to you etc…). The difference however, is that they were aware of this, and wanted to find better ways to express themselves. In this song, Lennon turns the lens on himself. It stills centre’s around a pretty banal situation (unrequited love), but shifting the focus and giving us hints of the ‘man behind the mask’ begins to introduce a depth of meaning (“although I laugh and I act like a clown, under this mask I am wearing a frown”).
Musically the song is, once again, nicely juxtaposed with the theme of the lyrics. There is obvious Bob Dylan influence here, and I fancy you can even hear Lennon trying his best to sound like him (especially in the harmonica section!). Using influences and making them your own is a huge part of a healthy creative process, as evidenced here.
7. I’ve Just Seen a Face (Help! 1965)
This is the only song I will offer from ‘Help!’ – mainly because the film and the album combined make many of them already so well known (Ticket to Ride, Hide Your Love Away, Help, Another Girl…)
‘I’ve Just Seen a Face’ is another foray into folk/country music, keeping us in theme with the last. It’s more jaunty, goes at a great pace, and goes to show that when they wanted to, The Beatles could do this style just as well as any band who were dedicated to the genre. This is another aspect that I think marked them out – they could cross genre’s with ease, almost like they were playing with them for fun. That shows understanding and talent, but more importantly, leads to catchy little numbers like this one!
Musically, I can imagine this song done as a slow ballad, a mid-tempo rock song, or even a fast thrash punk song! I reckon that’s a good clue to knowing when the foundations of your compositions are solid: when you can ‘hear it’ in different modes. Also – check out the introduction!
8. Think For Yourself (Rubber Soul, 1965)
George Harrison’s ‘Think For Yourself’ is a song of firsts. It was his fist none love song, and also the first song to feature a fuzz bass (possibly ever, but don’t quote me on that).
Here we see George Harrison start to look inwards and outwards, urging his listeners to make their own mind’s up about the lies and promises of the world, a theme that I guess took him on his spiritual journey and the study of Eastern thinking and spirituality.
The vocals are gorgeous. I can’t find a video of the harmonies isolated (though I’m sure that exists somewhere) – but just listen to the precise yet hauntingly slurring slide down the harmonic range accompanying each second line (also check out ‘If I needed someone’ on the same album for another example of this). It conveys a message, and it sounds cool. What’s not to like?
9. In My Life (Rubber Soul, 1965)
Okay, so many people may already know this song, but it’s worth putting it here even if it only reaches one person who hasn’t.
I haven’t much to say about Lennon’s melancholic masterpiece that can’t be understood just by listening to it. It’s the kind of song that brings tears to your eyes if you’ve ever lost anything that was dear to you. Lennon had his fair share of that, and even though this could be construed as a love song, I think it is primarily a lament for anything lost.
The use of the harpsichord for the solo is inspired, and shows a generosity by The Beatles in orchestration and allowing George Martin (the producer) to contribute. Without this, they couldn’t have developed like they did as their compositions transcended the need for strict format guitar solos and arrangements.
10. She Said She Said (Revolver, 1966)
As someone who grew up in the nineties and had my modern musical faith restored with the indie/Britpop resurgence that took us into the 21st Century, it is songs like ‘She Said She Said’ by the Beatles that made me wonder why it took so long to come back around. They had done it already. It was like everybody had forgotten and thought they were doing it for the first time. There is a line between rock, rock and roll, pop, and what we might recognise as ‘indie’ music today. The Beatles walked across all of them.
Musically – I think Ringo silence’s his critics in this song. As a former skiffle drummer, you can hear him ride the toms off the snare after nearly every phrase in a fusion of old and new that brings the song together. Interestingly, this is the only song not to feature McCartney: Harrison is playing bass! (I never knew that – the wonders of Wikipedia eh?)
Thanks for dropping by. More to follow at a date yet unspecified! Next week I am on holiday, so probably no blog – see you again soon!