Give them Flowers – Coop update

Regular readers may have noticed that, given the recent furore involving the Cooperative and my previous blogs about them, I haven’t yet taken the opportunity to write something new about the whole sorry affair. Well, if you have noticed that, then this is it.

As you may know by now, over the years I have developed a cautious (some may say cynical) mistrust of the flow of information as it is presented to us by the usual conduits. So when a story that has been simmering away for years suddenly breaks open thanks to a catalytic event like a drug-snorting, rent-boy loving Minister with no banking experience or apparently, any fear of discovery, I take a step back and just think, hmm, (affecting a cockney accents) “waz all this abaat then?”.

I don’t want to speculate about Paul Flowers drug habits, it seems quite obvious from the material released by the Daily Mail that he is a frequent and experienced lifestyle drug user. The more interesting questions I think, are, why now? What purpose does this serve (if any)? And how does this relate to the wider issues?

If the narrative of the media is to be believed, here is a man who has blazed a trail of incompetence and hedonism throughout his career in various guises, as a bank chairman, a Methodist minister, a Labour councillor and as a representative in various charities over several years. The floodgates have opened, it’s all coming out now, as if a thousand whistle-blowers have only just learned how to blow.

So what does this mean, given that it took the moral outrage of a man he met on a dating site, who attended drug parties with him and decided to secretly film him out of disgust with his hypocrisy, for this all to come to light? We could believe that large sections of the banking, political, religious and  even charity fraternities were all so naive and trusting as to not have noticed his behaviour over the years. As if this was a surprise and shock to them all – but that can’t be true, can it? Not given the deluge of past indiscretions that have now surfaced. So scrap that. But what’s the alternative? That at least some of these people did know about his lifestyle choices and inadequate faculties for the positions of power he held?

That latter option, which seems logical, is far more intriguing and worrying. What if, for example, key figures were acutely aware of his character, and used that to their advantage? It may sound far-fetched to you, but is it as far-fetched as a man who managed to avoid other major scandals from surfacing throughout his career, suddenly being caught out by a bloke with an iphone? If so, this incompetent buffoon (Flowers I mean), was up until that point, a master of deception and discretion, which doesn’t fit the narrative we are being given.

The obvious reason for having a fall guy like him at the top of a politically aligned bank, is that if it all goes wrong, you can just point the finger and say “he did it”. Which, given the ongoing inquiries into the Coop/Lloyds fiasco and the Coop’s own legacy funding problems, seems like a good time to do it, don’t you think? “Oh,” we collectively sigh, “it’s because they were being run by a druggy rent boy using idiot… that explains it then.”

But it really doesn’t, does it? And I know that the parties have all started slinging mud around as to who knew him, and how much they knew him and so forth, but despite that, the more important questions will now sit behind a sleazy, tabloid image of Paul Flowers in a car park buying crack, and jokes about crystal Methodists.

There are still some massively important questions to be asked about the whole affair, the majority of which sat not just with this one chairman, but with the various executive management teams, the interested political parties and the limp regulators. For the sake of posterity, I will record them here:

1.            The Buterfill Act.

When the Coop and Britannia announced the ‘merger’ of two profitable companies that had complementary synergies and would form a ‘super-mutual’ alternative to the big high street banks (that had been oh-so damaged by the global crash) – there was just one problem – just a little problem, nothing major really – THE LAW.

It was currently not possible for a bank to merge with a mutual, and as the Coop is basically a bank (with the only shareholder being the customer base) an act of parliament had to be drafted and passed before the house in order to allow this transaction to take place. The act was sponsored by Conservative peer, Sir John Buterfill, and passed, after it was announced the two businesses would merge.

At the time, Paul Flowers was still chairman of the Coop (a Labour councillor remember) while a Tory peer sponsored the act to allow a Labour (and Lib Dem) supporting bank to merge with a Building Society. It is hard to believe that this act did not attract the most careful scrutiny at the time, given the various interested parties and specific nature of its creation.

The customers and staff were told that both businesses were viable, profitable, and mostly unscathed by the credit crunch. They were told this was a merger, yet, even though the law of the land had to change, and massive regulator involvement was needed, this turned out not to be the case.

On a separate note, I was told directly (at a later date) that this was not the case. Britannia was in trouble, and without the take-over, sorry, I mean, merger, it would have gone down the pan. Which leads me to:

2.            The Britannia Members Vote to merge.

Given the above, and what has transpired, I would suggest that the entire member base of Britannia was deceived into voting for the merger to take place. The member vote was constitutionally necessary, and a bright rosy picture of synergies and super mutual’s was painted. If this turns out not to be the case – who is responsible, and what recompense or punishment is due? Given that we now know there was a bad loan book (all be it, not as bad as it is being represented by the Coop in recent inquiries) – this seems to be highly likely.

3.            The write-down of IT.

I worked for the Coop during the ill-fated IT upgrade that eventually cost them around £148 million according to their own accounting, which as we have seen, is probably not to be trusted. I would wonder if perhaps (again as was hinted to me directly) – a little creative accounting reduced this number down from a much more substantial figure. How was this figure arrived upon? A close look at the balance sheet may be a good idea. I worked on this project (all be it in a junior capacity) and the figures that were being quoted throughout the three years it was ongoing, were higher than this, much, much higher than this. Senior figures were popping off left right and centre when it became clear the IT upgrade was not happening, and apparently the Coop had been at it for many years before the Britannia merger, and still to no avail.

This may seem a smaller point that the others, but this is customers money they were spending, and the big accounting firms, the IT company itself and many third party contractors, all got their slice and left the company with virtually nothing to show for it. (not to mention the executive wages and pay-offs throughout).

So, I think that will do for now. There are obviously dozens more questions to be answered, many of which being heard by the select committee at the moment, but given the close political links to this affair, are they really best suited to be investigating this?

I would hate to see the media narrative use the whole sorry Flowers affair to divert attention from these issues. Let’s not forget that the culmination of all these failings is that both the UKs second biggest mutual (the Britannia) and biggest member owned cooperative are looking likely to end up mostly owned by American hedge funds as a result of all this, or in need of a bail out etc… So the ‘survivors’ of the Global Crash have finally caught up with the rest of the financial industry, it just took some twists and turns to get there.

Let us also not forget, that we still have not seen senior figures of financial institutions, political parties, regulators or big accounting firms go to prison or face any meaningful punishment for what they did to us all, quite the opposite in fact, they were handed their lifestyle back on a plate, and we were told to swallow austerity as a consequence.

So, they can give us Flowers, but it’s not enough.

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Combat Trousers

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Today I want to talk about fashion. Oh if you could see me now, you’d know just how unqualified I am to do such a thing. “Why is a bearded unkempt white man in his thirties who’s wearing a generic jean and jumper combo talking to us about fashion?” you would all collectively say… but I’m going to anyway, as it wasn’t always like this.

This week I’ve finally got around to sorting out all the old toys and documents at my Mother’s house that have been stored there ever since my Brother and I left home. Stuffed into cupboards and the attic, Mum has been on at me for years to do this, and finally, out of the goodness of my heart (and the approach of Christmas without any paid work)  I’ve decided to eBay the lot.

Well, not the lot, obviously. Part of the problem with attempting this task (as I’ve done in the past) is the nostalgia. It’s like a barrage of memories, hitting you repeatedly in the mind. For example, I found an old picture of me from the late 90s and whether I liked it or not, memories flooded back about that time in my life, my hopes and dreams, my  loves won and lost, and my combat trousers.

Yes, combat trousers, the fashion item reserved for IT technicians and me when I was 17. I’m not sure exactly what it is that qualifies them as ‘combat’ trousers. Certainly they resemble the style of regular army trousers (not territorial army trousers, oh no, they are completely different), but by the token of not actually being worn by someone in the actual army, can they really be referred to as ‘combat’ trousers?

I mean, they’re not like guns for example, with their own latent destructive force no matter who wields them. Even in untrained hands a gun is dangerous, perhaps more dangerous. Combat trousers however are no more deadly on the legs of a trained soldier than they are on the legs of a trained Sandwich artist.

Unless that is, all it takes for something to be classified as ‘combat ready’ is the addition of multiple buttoned pockets, several unnecessary tightening straps, and being a shade of green, in which case most subscribers of Country Life must be heading to war each time they go out for a ramble.

Or maybe I’m mistaken? Maybe they do have a latent destructive force in and of themselves that I’m not aware of? For all the years I wore them, maybe I just never stumbled on the right combination to unlock the devastating forces trapped within? Yes I said it, the devastating forces trapped within my trousers.

Perhaps, who knows, the zip down, left pocket inverted, shin pockets closed from left to right and ankle straps simultaneously clicked together and BOOM!.. They’ve turned in to a bazooka. Brilliant! Or instead, zip up, top button undone, all pockets open and the inner back pocket sealed and POW!.. They become a tank. Or better still, zip down, top button undone, pulled down to ankles and KAPOW!.. Inhumane treatment of prisoners of war during an illegal invasion.

There’s another possibility though. What if the ‘combat’ label of these trousers does not relate to human affairs at all, and actually stems from some ancient trouser civil war, when a previously peaceful and pacifistic group of trousers had an argument with some denim? The introduction of seemingly extraneous pockets and straps eventually ostracising the new breed of trousers from their kin, leading them to be shunned and mistrusted by the likes of the corduroy and the tracksuit? They had no choice but to fight for their place on the mannequin of life, and having succeeded in their vengeful and bloody liberation, they forever now carry the legend of ‘combat’ with them?

I might be over speculating. But clothes can and do carry with them anxieties, otherwise we wouldn’t have a fashion industry designed to magnify those anxieties and sell us the tailored antidotes. Nowadays for instance, I sometimes wear one of those old-style German army shirts when I perform on stage with my band, but even that causes me trouble.

I stand there, singing into the microphone, playing my guitar, wearing my long green, shoulder strapped shirt with a small German flag stitched to the upper arm, and being blonde haired and blue eyed, I think to myself ‘I wonder if anyone here thinks I’m German?’. Then I dismiss that thought, as I launch into another powerful verse of socially astute lyrical rampage, I dismiss that thought thinking, ‘well I’m not talking or singing with a German accent’ and carry on. But then, as my band reaches the intricate, driving, catchy yet subversive and melodically enlightening middle eight of our latest masterpiece, I think, ‘but that makes it worse, maybe they think I’m a German with a back-story? Maybe they think I’m half German?’

As we launch into our rousing finale, I start to wonder, ‘but what if they’re also thinking that if I’m simply half German, they should have detected but the slightest hint of an accent from the influence of my German parent? So, maybe, they think, he’s the love child of an absentee German father whom he has never met, and his abandonment issues and desire to reconnect with his German background, despite the pleas of his Mother (who holds some dark secret no doubt), are reflected in his choice of attire and attitudes to life? Putting himself on stage, wearing a German jacket, without a discernible German accent, as if to say… I am searching for my German-ness! I want to reconnect with my mainland heritage! Help me! Help me!’.

So I’m thinking all this as we finish taking our audience through a half hour of musical arousal, leaving an indelible memory of a unique yet ultimately marketable blend of rock-punk, foot-tapping commentary on modern life, and I exit the stage. There, waiting for me, is a beautiful, starry eyed girl. She flicks her hair teasingly over her shoulder, strokes the tricolour flag on my shirt softly and smiles before asking me, “Are you German?”, to which I reply, “No. I bought it in a charity shop.”  And she leaves, which is fine, because I’m not single anyway or a character from a sit-com who feels they have to weave an increasingly complex web of lies in order to try and impress a series of flaky and mono-dimensional potential mates. My imagined German past remains just that and my clothes anxiety is dissipated by the brutal realism that the three people my band just played to are only there due to a contractual obligation with the establishment we just performed in.

But then, there was a time when I was single and something similar happened. It was at a festival. I was wearing a red t-shirt with a yellow star in the middle. A gorgeous girl walked over to me, randomly out of the crowd, twiddled her beaded hair in her fingers, looked up at me with big brown eyes, pointed to my t-shirt and asked, “Have you been to Vietnam?”, and I looked back at her, held her in my gaze, and with a knowing smile I said, “No. I bought it from a charity shop”. She quickly walked away back into the crowd. And you know why? Because I’m not a sit-com character with truth issues willing to propel myself into inextricable depths of deceit in order to obtain sex, employment or perpetuate an amusing situation in such an obvious and formulaic way that would interest the commissioners of BBC3 or apparently any other independent production houses.

But then, as I lost sight of the girl in the massive crowd, I found high ground, inverted my right pocket, strapped in my left ankle strap, unzipped my fly and POW!.. My combat trousers turned into a powerful set of binoculars, and I was able to locate the girl with the beads in her hair, and explain to her that although I hadn’t been to Vietnam, I was the love child of an absentee German father, but was wearing the wrong shirt. She felt sympathy for me, and we talked for hours under the moonlight, and if it hadn’t have been for the fact that I was now wearing no trousers, and my tale of German abandonment jarred with my pointless Vietnam referencing t-shirt, I may even have got somewhere. But I didn’t. Because in the end, I found, I was a character in a sit-com, and characters in sit-coms rarely get what they want, trapped forever in farcical and descending spirals of dishonesty, destined to live episodically from one half hourly predictable outcome to the next.

And then, the credits rolled, and that was my story about fashion.

‘No Suitable Candidate’ or ‘To vote or not to vote in a negative democracy’

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I could be accused of missing the hype with this blog, following Russell Brand’s interview with Jeremy Paxman a fortnight ago, Paxman’s own admission that he didn’t vote in the last election, and various backlash commentaries such as that made by Robert Webb and others, ‘branding’ Brand as irresponsible and even dangerous.

But then, this issue doesn’t go away just because the flash in a pan media hype has died down following one interview with a high profile celebrity. I’ve been having this debate internally and with my peer group since the last election. My feeling is, many, many people have been having this debate since the last election, even if they don’t realise it. I say that because if you’ve ever seen the news or some political commentary and had even the slightest feeling of, ‘Oh this is all bullshit’ – you may not have realised it, but that means you are a disillusioned citizen, utilising your most natural judgement mechanism, your instincts.

We underestimate the power of our own instincts in a world where we are increasingly asked to trust others who ‘know better’ than we do. This is the usual defence position against the voice of dissent. We can see this exercised in the Brand/Paxman interview in the typical ‘journo’ way – challenge the authenticity, intelligence or coherence of the voice raising the objection. Politicians use it to dismiss massive popular rallies all the time. Hundreds and thousands of people turn up to the countries capital to protest about the general cosy state of politics and big business, and are greeted simply by the line ‘What’s the alternative?’ The implication being that none of these people are either capable or coherent enough to articulate their dissatisfaction in a constructive manner.

There are a few problems with this argument. Firstly, it just isn’t true. At the one major rally I attended in London, the streets were awash with pledges and demands, printed in leaflets and with supporting websites to offer more detail. The message was, at the time, that we need to start with claiming the tax owed by massive corporations (rather than do the opposite and bail them out), before we start taking services and money away from the most vulnerable in our society. “But what’s the alternative?” they said. Well… that.

Secondly, how are groups of like-minded people who genuinely believe they’ve got no choice or chance using the current electoral process to affect any meaningful change, meant to construct alternatives and offer these to the wider population if they don’t have the ear of the media or the resources with which to do this? Let’s not pretend that it’s as simple as paying your deposit and standing for election in your local area. Inherent bias exists in the electoral system as it is, let alone the addition of millions of pounds of outside funding to the major parties which ensure they can field candidates in most constituencies, buy prime media column inches and airtime, and already hold ‘the high ground’ as it were. Before the last election, it was generally assumed that although the Liberal Democrats were looking strong, it was a near impossibility that they could actually win the election because of the inbuilt bias. As it happened, they became an ineffectual bit part player in a coalition, and have as a result, destroyed their own voter base (and try to find someone who disagrees with that prognosis). So no – if some of the oldest and most established parties in British politics are unable to make an impact, how are we, the unorganised electorate, even meant to do so in any kind of dynamic and immediate way? I suppose if you have a spare few hundred years to go at and a trust fund or wealthy benefactor somewhere you could do it, but that’s hardly dynamic and immediate, and many people feel that the crisis is already upon us.

On a more philosophical point of view, it is hard to see how we can ever expect our leaders to genuinely try and deal with the ‘problem’ of disaffection and distrust in the whole system, when they refuse to acknowledge there is one. Yes, they go on TV and Radio and say reassuring things like – “we know it’s a massive problem engaging people with politics, and we want to be seen to be doing this” – but putting words aside, we can just look at the evidence, look at the faces in the cabinet and commons, look at the statistics and biographies, and there we have it. A tight knit, interconnected group of people, in both parliament and the media, and even the judiciary, who hail from a narrow social background, closely linked to wealth and status of family members and peers. It is laid bare, we’re not making it up.

Another philosophical point of view when it comes to the actual act of voting is that of consent. As a collective we are providing a mandate, a 5 year contract, each time we go to the polls, irrespective of whether we want any of the options available. Remember, we don’t actually have any rights to terminate the contract or change any aspects of it during that period, we have to rely on opposition MPs for that, who we also don’t have any power to change during the term. What’s more, we don’t really know what the contract is, as pledges are notoriously, laughingly, different from what actually happens when parties are elected. What kind of a deal is that?

But, because of the clever constructs of our democracy, to not vote has no impact on any of this. The counter-argument to not voting is that it makes the democratic sample smaller, and makes it even easier for ‘them’ to win. But hang on, I don’t want to exercise my one power in the world that is meant to represent my whole ethos and opinions about how things could be simply by voting out what I don’t want – I would quite like to approach this with the view of voting in something that I think closely represents my views. This negative democracy model is hardly an argument that implies a working system, constantly retreating away from bad choices and hoping that the previous bad choice has magically become a good choice in the meantime, and so going back to it ad infinitum.

So to conclude, I want to offer some alternatives that may help ‘kick-start’ the process of creating pressure in a way that can’t be branded  as apathy. I just can’t accept the negative ‘vote them out’ ideology as my driving principle for talking part in this democracy, and I also don’t believe that any current party actually capable of gaining power (thanks to the inherent bias) is suitable to do so. Therefore, these three options seem to present themselves:

1.            Just don’t vote (and as discussed above, be accused of apathy, and potentially just make it easier for the system to maintain itself in its current form)

2.            What I like to call ‘Don’t Vote +’ – Don’t vote, but instead, find a way to register your reason for not voting in a coherent way. Ideally some kind of petition. This will of course mean someone setting this up. For example – a new petition called “No suitable candidates”. If this was done right, we could potentially show that more of us didn’t vote for this reason than did vote. It isn’t official, and doesn’t guarantee anything, but I think it may help satisfy people who don’t want to be branded apathetic, but don’t want to take part in the negative democracy model we seem to be part of.

What would they do if this happened? I guess that during the process they would discredit it and try and multiply the available petitions to ‘water down’ the impact. But presuming that can be overcome, they would be faced, as would the country (presuming the media reported it) with a natural democracy – outside of the system but expressing the view of a section of society all the same, maybe even a majority. Perhaps they would then  introduce official ‘No suitable candidate’ boxes to mitigate the loss of popular opinion this causes? It may be a start to a truly more accountable and representative version of politics, where we actually have the power to change manifestos and representatives before we vote them in, not after 5 years of wreck and ruin. The same approach could be done with a call for genuine ‘right to recall’ powers and other aspects that would help us be better represented. The important thing here is to match a no-vote during the time of the election with a principle – the petition must reflect this.

3.            Do vote – but vote for an independent or small party. This could have the affect of creating a rainbow cabinet (and we all like rainbows don’t we?) which dilutes the influence of the big three. I have some interest in how this might work, but my concern is that it would be hard to coordinate and you are limited to who is standing in your constituency. To try and harmonise this approach would be to try and launch a challenger party, which as I covered earlier, involves financial and influential factors not at our disposal. However, even just vastly cutting the number of the big three in the commons could potentially have a dramatic effect, and lead to better debate and compromise that suits local communities and a broader social range. This was akin to the promise of the coalition that never surfaced because it was a coalition of the established where we perhaps need a coalition of dissent.

So those are my options. It may be fairly obvious that option 2 seems my favourite at the moment, and I doubt I’m the only one to have thought of it, so hopefully I will find a petition I can back if I don’t feel I can vote at the next election in good conscience.

Just for the record, I have always voted before, this isn’t something I take lightly, and if you’ve got this far in the blog, it obviously isn’t something you take lightly either and I would be very interested to hear what option suits you, or your alternatives. Also, feel free to try and convince me why simply ‘voting out’ what I don’t want, in favour of something else I don’t want, is the way I should approach this, but I doubt you will succeed.

Thanks for reading.

Sit Down Stand Up #1 Spontaneity

Blog warning:

To ease you into this, if you are so good as to read it, I should explain a little here about my influences and reasons. I recently went to watch the brilliant Stewart Lee in Buxton perform his ‘Much-a-Stew-about-nothing’ show (http://www.stewartlee.co.uk/) and it reconnected me to the notions of narrative in stand-up comedy and the power of comedy and narrative in general. I was very fortunate to follow this up with a chance encounter with a friend who lent me one of Lee’s books with transcripts of his previous live shows including foot-notes on his technique and inspirations. Now, I have no interest in doing stand-up comedy myself, and it’s only recently with my writing credits on Radio BBC4 Extra’s ‘Newsjack’ that I’ve written anything purposefully comedic at all. This blog, as I say in the ‘About Me’ section is intended for trying things out, for things that don’t slot easily anywhere else, and shameless self promotion. This specific blog therefore is totally the result of having immersed myself in alternative comedy for a month or so and wanting to try my hand at writing the kind of narrative that experts like Lee have so brilliantly crafted. I liked reading the transcribed shows, they worked on the page, so I figured, having no interest in actually standing up and saying these things into a microphone, I would try and write a brief narrative and put a ‘stand-up’ spin on it. I don’t really care if it smacks of influence or emulation – that’s why I’ve done it, to try and find out a bit of how this works for myself, even if it is only to conclude that it doesn’t work at all.

Not surprisingly, the very subject of not wanting to ever do stand-up and an embarrassing attempt I once made at making a joke on stage has formed the theme of this experiment. Also, like most comedy narratives, it is an exaggerated account of a true story, with some not true things thrown in.

With that said, I hope you can forgive me if you don’t either a) find it funny or b) even finish reading it. I also hope you can forgive me for my apologetic introduction. I would be interested to hear what you think so please leave a comment here or anywhere I might see it – but preferably not attached to a brick through my window.

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So I was thinking about Stand-up comedy. Not actually doing it. No way. I can’t think of anything more terrifying. Actually I can, I can think of lots of things more terrifying, like crawling into a small hole under a tree and then realising I’m stuck there forever. What I mean is, I can’t think of anything more terrifying within the realm of public performance, except perhaps some kind of performance arts piece involving testicles and leeches. What I mean is, I just don’t like the idea of doing stand up comedy, which is interesting seeing as I’m no stranger to taking to the stage. I sing in a band, I sometimes even talk (a bit) between songs. Granted it is usually only to state the name of the next song and say thank you for the applause from the last (regardless if any actually happened), but it’s still talking into a microphone in front of other people all the same.

I think I may have shocked myself out of trying to riff funny back at my Dad’s wedding some years ago now. I was performing with my Brother and a make-shift band for the evening. It got to the point where my Dad and my Step Mum where trying to encourage dancing as most of the guests had spent much of the first half of our set in another room. Not coincidentally, the room with the buffet. Ah, the buffet, it always wins in the end. No manner of art can win against the lure of cheese & pineapple on sticks. Maybe that’s the ultimate aim of all art – to become a credible challenger to the dominating presence of a buffet?

Anyway, we had pretty much already played our set to the few people who could resist the lure of questionable coleslaw, and now the others had all filled their stomachs with cherry tomatoes and breaded bits of chicken, they were ready to be entertained (I like buffet’s, but am always suspicious now of anything in breadcrumbs having once accidentally eaten a miserable fish goujon thinking it was going to be chicken. It seems to me that in one sense, covering something with breadcrumbs is as good as disguising it in something neutral and bland for fear that its true identity will be discovered, a bit like when Jim Davidson hosted Big-Break). It didn’t seem to matter much to the quiche stuffed revellers that we had already been playing for an hour, but it was my Dad’s wedding, so we carried on.

About half way through the set, while the crowd of cold-chicken-leg fuelled party-goers sat watching and talking amongst themselves, my Dad and my Step Mum braved the dance floor. It wasn’t a ‘first dance’ kind of thing as I remember – well it was, in the sense that no one else was dancing, as they were all probably too full of limp salad and tiny sausages, but it wasn’t the first dance. It was just a dance, I think calculated by my Dad to try and encourage others to do the same. I picked up on this vibe in an almost Jedi like moment of mental connection, I knew what he was trying to do, and I liked it. By this time, my older brother (who has always had a more natural disposition on stage and a greater ability than I to say things coherently in general), had already cracked a joke to rapturous laughter at some earlier stage. I think it was about eating, drinking and being Mary… I can’t remember, or it was about three nuns in a boat. Either way, I had the notion that if there was ever a time to try my hand at saying something spontaneous though a microphone, it was now, in the bosom of my extended family and friends who would accept me out of (if nothing else) politeness to my Father.

So something was sparking in my mind, my Dad was dancing (a rare and unwieldy sight) and in the ether, from somewhere beyond, I could hear a voice saying, “It’s ok son, it’s ok, this is the time to make a joke about my bad dancing in order to get the other people dancing, even though they are struggling against the weight of many, many mini sausage rolls, now is the time. Look, I am your Father.” (That last joke only works if you pronounce ‘look’ in the same way as ‘fluke’ – which people in Staffordshire do, even though none of my family are actually from Staffordshire, but that doesn’t matter, as this disembodied voice of my Father encouraging me to talk on the microphone didn’t actually happen, and if it did, only I could hear it, so I would have got the Star Wars / Stokey accent reference anyway, so there.)

And I thought, yes! Yes, there is a joke in there somewhere… There is some vague notion of my Dad dancing and not being very good at it, and other people not dancing, who presumably can only be as bad, but probably better. I admit, I hadn’t really nailed it at this stage, but sweating, drunk and exhausted from being nearly two hours into a live set, I walked up to the microphone and looked out at the expectant faces in the large function room, my Father and my new Step Mum still standing alone in the centre of the dance floor, looking at me as if to say “now is the time! You can do it! Improvise!” and I said something along the lines of:

“They say that before people decide whether to dance or not they judge this by the least ability of the people already on the dance floor and so if my Dad is dancing, then you all should be too…”

It was a scene reminiscent of Bilbo Baggins’ one hundred and eleventh birthday speech in the Lord of the Rings where he declares “I don’t know half of you half as well as I should like, and I like less than half of you half as well as you deserve” and the crowd looks on in confusion while they try and deconstruct the meaning and whether or not it was an insult. I say it was reminiscent of that, because in another way, it was nothing like that all, having none of the wit, charm or craftsmanship that Tolkien possessed in unfair quantities. The only bit that was similar, was the crowd looking back at me in confused indifference, trying to work out what I’d just said, and if it made any sense. Which, it didn’t.

I mean it could have done. In hindsight. Oh yes, in hindsight, given the 15 years or so since this happened and my development as a writer, I can look at this sentence and edit it down to the following: “If my Dad’s dancing, then you’ve got nothing to worry about. Have a dance.” Which isn’t really that funny either, but as light banter, would have been more succinct and may have raised a titter. It also has the added benefit of letting the audience fill in the blanks for themselves. It is implied that it is about ability, rather than force-fed, showing respect to their intelligence. To give credit to my Dad, he seemed to get the intent behind my garbled declaration and gave a pantomime look to the crowd as if to say “he’s right you know!”, although this may have actually been to say “I don’t know either… Maybe if you just come up and dance he won’t try and speak again.”

I was lucky really that no one took me to task on my comment. Thank God there were no hecklers at my Dad’s wedding. It wouldn’t have taken much. The first comment that springs to mind is, “Who says that?” as in, “Who says that before people decide to dance they judge the least ability of other people on the dance floor?” To which I would have had to reply, “I don’t know, just people, old wise people on a mountain somewhere…” and they may have said, “Why do they say that?” to which I could retort, “because I asked them – I anticipated that you would all spend more time inhaling bread sticks and tiramisu then you would listening to my band play for several hours at my own Dad’s wedding, and then come in here and sit watching us play it all again without even attempting to dance, and as such, I travelled to a wise man in Mongolia, yeah, Mongolia because it sounds mysterious and that’s where wise men on mountains live, and I found the wisest man, on the highest mountain, and I said to him – why is that people don’t dance sometimes? And he told me why. But to be sure, I went to the next highest mountain and found the next wisest man, and asked him the same, and he gave me the same answer. I repeated this exercise several times to make sure I had a consensus of opinion from multiple sources, hence why I referred to the plural ‘they’ in my rendering of this Eastern wisdom. It wasn’t just my panicking mind reaching desperately for an elusive third party with which to frame my witticism, it was the result of many months of hard travel and research.”

Of course, the next rebuke may have been, “but what does it mean? The order of the words you chose to speak, doesn’t really make sense does it Garry? They ‘judge the least ability’? Did you mean, they judge the ability of others dancing, and if they deem themselves to be similar or better, they may feel more comfortable and participate in the awkward social situation without fear of embarrassment?” to wit I would have to concede, “Yes, that’s basically what I meant, but as demonstrated by your lengthy interpretation of my intended observation, that doesn’t make for much of a snappy one liner to say between songs does it? So all I knew, was that I wanted to say something that meant the same as what you just said, but had to be shorter, which in my current heightened, adrenalin and alcohol fuelled mindset, I couldn’t quite achieve. I only hope that this protracted conversation with you, the imaginary heckler, has clarified this point to all the other guests here and we can move on from this unfortunate and ill conceived attempt at spontaneity and enjoy the rest of the evening…”

And I looked up from this exchange, feeling I had vindicated myself from any embarrassment or misunderstanding only to find that the room was now empty, the crowd, impatient as they were for me to stop talking to myself retrospectively from the future, had slinked off back to the next room, because a waiter had just brought out some more, hot, unidentifiable breaded goods that someone suspected was garlic mushrooms… And we all like garlic mushrooms don’t we? Except for those people who don’t. In fact, they say that those people who aren’t sure about breaded goods on a buffet judge themselves by the least ability of others to decide whether or not to eat them, don’t they? Yeah they do. That’s what ‘they’ say, and I know that because I went to Mongolia to ask them.

THE END.